How much time and effort will it take for everyone to return? Elena Guseinova analyzes the photo of the week
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On February 20, Ukraine managed to return 11 Ukrainian children who had been abducted by Russians. The transfer took place in the evening at the border between Ukraine and Belarus, in the Volyn region. The photo by Roman Pylyp was taken during this return. There are no signs of disaster. It is night, a car, the lights are on, and a woman with a child is sitting in the back seat. It all resembles a nativity scene. A baroque portable wooden puppet theater with two stages, in which the appearance of “great joy” in the world is played out.
I look into this “box” through the windshield and see the upper floor, the so-called “sky”: a woman turns to a child, and the child turns to her, as if listening to her words. This picture is almost perfectly symmetrical. The mystery of salvation and return is captured in the orderliness of the frame. However, every nativity scene box has a lower floor — the “earth” — even if it is not visible. And there, on the invisible lower floor of the nativity scene box, the International Criminal Court in The Hague issues an arrest warrant for the Russian president, who is accused of illegally deporting Ukrainian children. There, on the invisible lower floor, are “re-education” camps, forced adoption, passportization, militarization of Ukrainian children, war crimes, and crimes against humanity. There is confirmed information about almost 20,000 abducted Ukrainian children, and unconfirmed information about almost 700,000 abducted Ukrainian children. The Fourth Geneva Convention, Additional Protocol I, the Rome Statute. International expert groups, conclusions on the seriousness of violations of international law, and the unwavering desire to reunite Ukrainian children with their families and communities.
How much time and effort will it take for everyone to return?
This woman and this child have returned, and now they seem immobile and porcelain-like — as they should be on the top floor of a Baroque box. Amidst symmetry and harmony, order and warm light, they too look through the windshield, as if from the auditorium of a movie theater at the screen. They look at the world they are returning to. And I don't know what they see — a world of anger and despair or a world of quiet reconciliation with daily invisible work, like the bottom floor of a nativity scene box, for the sake of “great joy.”
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Olena Huseynova is a Ukrainian writer, radio host, and radio producer. She has been working at Radio Culture (Suspilne) since 2016. She is currently the editor-in-chief of the radio theater and literary programs department. Since February 26, 2022, Olena has been working as a live host of a round-the-clock news radio marathon on Ukrainian Radio (Suspilne). She is the author of two poetry books, “Open Rider” (2012) and “Superheroes” (2016). She writes essays and short prose.
Roman Pylypii is a Ukrainian photojournalist who documented the Revolution of Dignity and the Russian-Ukrainian war in Donbas from its very beginning. Since 2017, Roman has lived in China, working for the international photo agency EPA. During his time in China, he became the head of the EPA bureau in the Chinese region and worked on stories across the country, with a particular focus on human rights.